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	<title>Kreativation &#187; Design business</title>
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	<link>http://www.kreativation.co.za</link>
	<description>This is Kreativation. This is where Jonno Cohen works, plays and thinks.</description>
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		<title>On Pacing</title>
		<link>http://www.kreativation.co.za/2009/11/on-pacing/</link>
		<comments>http://www.kreativation.co.za/2009/11/on-pacing/#comments</comments>
		<pubDate>Tue, 24 Nov 2009 19:14:24 +0000</pubDate>
		<dc:creator>Jonno</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Design business]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Thought]]></category>
		<category><![CDATA[pacing]]></category>
		<category><![CDATA[productivity]]></category>
		<category><![CDATA[running]]></category>

		<guid isPermaLink="false">http://www.kreativation.co.za/?p=181</guid>
		<description><![CDATA[Running is an intriguing sport. Indeed, for many of us, 'sport' may be a misnomer. Our focus is not on others or how we fare against them. It's just us and the road, in self-centred, meditative solitude, competing only against ourselves.

This is why running is so addictive: physical fitness aside, it's the mental battles of self-discovery that keep us coming back for more, pushing our limits further than we knew we could.]]></description>
			<content:encoded><![CDATA[<p>Running is an intriguing sport. Indeed, for many of us, &#8217;sport&#8217; may be a misnomer. Our focus is not on others or how we fare against them. It&#8217;s just us and the road, in self-centred, meditative solitude, competing only against ourselves.</p>
<p>This is why running is so addictive: physical fitness aside, it&#8217;s the mental battles of self-discovery that keep us coming back for more, pushing our limits further than we knew we could.</p>
<h3>The old way: alls and nothings</h3>
<p>I&#8217;ve always been naturally lazy. In school I pushed the limits of handing work in late (my record: 13 months) and I crammed for exams the night before. In my working life this has also been my biggest challenge. Big projects invariably see me plumb the depths of procrastination before pulling an all-nighter or two as the deadline stomps closer.</p>
<p>I&#8217;m right in the middle of my busiest two months since I started this business. It&#8217;s exciting stuff, but there&#8217;s no margin for error. Sloth beckons to one side; on the other lurks the urge to sit up all night and plough through the to-do list. The former is plainly wrong, and the latter, while tempting, means I&#8217;ll lose too much productive time recovering from my exertions.</p>
<h3>A better way: comfortably hard</h3>
<p>One of the first, and toughest, lessons I learned from running was to slow down, to pace myself. At full speed I couldn&#8217;t last more than a minute or two, and it took a full five minutes to catch my breath again. Stiffness and fatigue lasted well into the next day, hampering my efforts to maintain a good fitness schedule.</p>
<p>As I grew in fitness I learned to run at around 70–80% of my maximum capacity. Dropping the pace to &#8216;comfortably hard&#8217; made all the difference. Not only was I able to complete much longer runs without walking breaks, but I could get up the next morning and do it all again.</p>
<h3>Working like running</h3>
<p>I realised last week this approach has begun to creep into my workflow. I&#8217;m tending away from the long nights and chugging happily along during regular waking hours. At this comfortably hard rate I can get through the workload for the day and get up the next day fresh enough to keep going.</p>
<p>Bear with my hubris, but I think I&#8217;m onto something: we weren&#8217;t made to run at 100% effort. That&#8217;s our emergency reserve; our secret weapon. We&#8217;ll bring it out on race day, rely on it to outrun unruly canines, let it pull us through a big launch. But for maximum efficiency we have to pull back to 80%. That&#8217;s what&#8217;ll get us from the starting line within sight of the finish, from brief to deadline, only to do it again as many times as we have to.</p>
<h3>Measured progress</h3>
<p>Between frequent interruptions and the regular afternoon slump, it&#8217;s hard to push through a full day&#8217;s work. I recently happened upon the <a title="The Pomodoro Technique" href="http://www.pomodorotechnique.com/">Pomodoro technique for time management</a>. Silly name aside, it&#8217;s easy to understand, easier to implement and is proving surprisingly effective in helping me manage both concentration and energy levels.</p>
<p>The Pomodoro technique emphasises simple consistency — in timekeeping, in focus, and in brief regular breaks. It&#8217;s reminiscent of the disciplined pacing that running demands. The enforced breaks help me catch my breath in time to tackle the next chunk of work and work comfortably hard throughout the day. There&#8217;s a sense of progress too, that comes with noting the number of Pomodoros (or 25-minute units of work-time) completed in a day, just as I&#8217;ll memorise my kilometre splits on a run.</p>
<p>Things are building up to a final sprint in two weeks&#8217; time. I&#8217;ve been pushing through the days and weeks, checking off tasks and getting things done, but four big deadlines in the same week mean I&#8217;ll have to fire up the 100% secret weapon. But without puffing along at 80% for the past six weeks that final push would have already been uncomfortably impossible.</p>
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		<title>On Boxes</title>
		<link>http://www.kreativation.co.za/2009/10/on-boxes/</link>
		<comments>http://www.kreativation.co.za/2009/10/on-boxes/#comments</comments>
		<pubDate>Fri, 23 Oct 2009 11:33:41 +0000</pubDate>
		<dc:creator>Jonno</dc:creator>
				<category><![CDATA[Design business]]></category>
		<category><![CDATA[boxes]]></category>
		<category><![CDATA[clients]]></category>
		<category><![CDATA[customer service]]></category>
		<category><![CDATA[perceptions]]></category>

		<guid isPermaLink="false">http://www.kreativation.co.za/?p=173</guid>
		<description><![CDATA[I’ve been working with Acme Boxes most of this year. Their work is good, if not stellar, prices reasonable and service prompt and friendly. Lately however, I’ve been a little disappointed. It appears clients are merely a necessary evil to this company.]]></description>
			<content:encoded><![CDATA[<p>I like to think of myself as a pleasant client. As one does. I pay on time, I do as much as I can to help my suppliers do a good job, and I limit my complaints to where they’re plainly needed.</p>
<p>I’ve been working with Acme Boxes most of this year. Their work is good, if not stellar, prices reasonable and service prompt and friendly. Lately however, I’ve been a little disappointed. Sloppy mistakes have crept into their work, replies take longer than they should, and their communication has taken on a terse tone and is less helpful than it used to be.</p>
<p>This all seems to have coincided with their launching a new product line for a different market, and its subsequent success. They tweet about a New! Improved! strategy and show it off in blog posts: the focus is now on selling Readymade Boxes and abandoning bespoke client work as soon as viably possible. Clearly we clients are merely a necessary evil to this company.</p>
<p>To be fair, Acme Boxes’ service levels haven’t dropped as severely as I first thought. Their stated aim of taking on client projects when they need the money has simply tainted my perception of their work. Every interaction with them has me wondering, ‘Do they really want to do this? Am I just wasting their time?’. There’s a good chance the negativity is all in my head. But that’s their problem, not mine.</p>
<p>As a client, I want my suppliers to be excited about my projects. I want to know they’ll take a second look at the details and make sure everything’s right. I want them to meet the brief’s requirements. I want to know they care just enough to do the job right.</p>
<p>If I’m only holding back their plans for world domination I can’t be certain they do care enough. World domination is surely more important than my modest Box to Put Things In. And who am I to get in the way of global conquest? Next time I may seek out a box-maker who is content to build the best possible boxes, to specification, making sure they comfortably fit my Things to Put In, even with the lid on.</p>
<p>The funny thing is, when I take my boxing needs elsewhere, Acme Boxes will have to endure other pesky clients just a little longer while waiting for the big Readymade Box pay-day. And those clients may well be peskier and less pleasant than I am.</p>
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		<title>On Spec</title>
		<link>http://www.kreativation.co.za/2009/09/on-spec/</link>
		<comments>http://www.kreativation.co.za/2009/09/on-spec/#comments</comments>
		<pubDate>Tue, 22 Sep 2009 09:11:27 +0000</pubDate>
		<dc:creator>Jonno</dc:creator>
				<category><![CDATA[Design business]]></category>
		<category><![CDATA[Thought]]></category>
		<category><![CDATA[crowdsourcing]]></category>
		<category><![CDATA[spec]]></category>

		<guid isPermaLink="false">http://www.kreativation.co.za/?p=159</guid>
		<description><![CDATA[There are enough valid reasons for both clients and designers to oppose spec work, amongst them legal risks, economic sense and ethical concerns. Frankly it’s surprising any of us could countenance sullying ourselves with spec.

Nevertheless there are also enough unscrupulous, ignorant or indifferent clients and (loosely defined) designers out there happily engaging in spec work to ensure the argument can’t – wont – be won.


As designers, woe-is-me-ing and pox-on-you-ing aren’t doing us any good. We’re better served acknowledging (though not legitimising) spec work and learning to live with it.]]></description>
			<content:encoded><![CDATA[<p>It’s one of those eternal debates. You know the type. Two sides, one black to the other’s white, hordes of defenders at the ready. Whenever the topic is broached tensions run high, rants and rebuttals are flung this way and that, and everyone leaves knowing they’ve had their say, but moved no nearer to converting the other side, no nearer to winning the argument.</p>
<p>The next month the debate re-emerges, hostilities are renewed, rants and rebuttals reloaded and flung, with cross-references and back-links to the last battle, just in case the other side forgot what was said then. And another iteration passes without the changing of minds.</p>
<p>The debate in question is the <a href="http://www.google.com/search?q=spec+work">spec work</a> one: should designers (or any other creative professional) produce speculative work or participate in unpaid pitches and design contests, without any guarantee of payment for their time and effort? Should we submit ourselves to being crowdsourced?</p>
<p>I won’t rehash the actual arguments here. Others have done a much better job of it than I could.</p>
<h6>If you need catching up, <a href="http://www.no-spec.com/" title="NO!SPEC">NO!SPEC</a> has a wealth of resources. <a href="http://www.webdesignerdepot.com/2009/07/interview-with-specwatch-the-naked-truth-about-design-contests/" title="Interview with SpecWatch: The Naked Truth About Design Contests">This interview with SpecWatch</a> on Webdesigner Depot is enlightening, while Eric Karjaluoto has discussed, rather eloquently, <a href="http://www.ideasonideas.com/2009/08/is-tim-ferriss-acting-like-an-asshole/" title="Is Tim Ferriss acting like an asshole?">a recent case</a> involving <a href="http://www.fourhourworkweek.com/blog/" title="Tim Ferriss, author of The 4-Hour Workweek">Tim Ferriss</a>. Michael Bierut, less recently but equally eloquently, covered the topic at <a href="http://observatory.designobserver.com/entry.html?entry=4407" title="The Road to Hell: Now Paved with Innovation?">Design Observer</a>. This last one especially is worth a read for its <a href="http://observatory.designobserver.com/entry.html?entry=4407#comments">comments from some of the industry’s heavyweights</a>.</h6>
<p>There are enough valid reasons for both clients and designers to oppose spec work, amongst them legal risks, economic sense and ethical concerns. Frankly it’s surprising any of us could countenance sullying ourselves with spec.</p>
<p>Nevertheless there are also enough unscrupulous, ignorant or indifferent clients and (loosely defined) designers out there happily engaging in spec work to ensure the argument can’t – wont – be won.</p>
<h3>How I learned to stop worrying and love the bomb</h3>
<p>It’s clear spec work isn’t going away. If anything it’s growing in prominence and gaining acceptance in the mainstream, helped by its association (and confusion) with the much-hyped Internet phenomenon of <a href="http://en.wikipedia.org/wiki/Crowdsourcing">crowdsourcing</a>, and the related culture of <a href="http://www.longtail.com/the_long_tail/2009/07/free-for-free-first-ebook-and-audiobook-versions-released.html" title="Chris Anderson's book FREE: the Future of a Radical Price">‘Free-conomics’</a>.</p>
<p>As designers, woe-is-me-ing and pox-on-you-ing aren’t doing us any good. We’re better served acknowledging (though not legitimising) spec work and learning to live with it.</p>
<h4>Know the enemy</h4>
<p>The easiest way to avoid getting burnt is to not play with matches. A smarter way is to know how to use the matches. Educate yourself about spec and understand the risks. If they outweigh the potential benefits, keep away.</p>
<p>There will be times when the reward is high enough and the effort is small enough to be worth your while. Consider all the factors carefully, ethical as well as economic. If you’re satisfied that your participation in a design contest won’t harm you or your fellow designers, spec away.</p>
<h4>Let it be</h4>
<p>Accept that spec work is now part of the design ecosystem. Cheap and nasty designers have always attracted a similar calibre of client. You don’t want or need to compete with the cheap-and-nasties, nor work for them. Let the Crowdsprings and 99Designs of the world be matchmakers for the bottom-feeders while you get on with your job of being remarkable at your job.</p>
<p>Show why you’re a better option for a more discerning client. You know how to think strategically rather than chase trends blindly. You offer a more refined result, better suited to the client’s market. You can be relied upon to deliver professional, honest work.<br />
It’s all part of what you’ve always had to do to market your services: educate your clients. Which leads us rather conveniently to my last point…</p>
<h4>Educate, but don’t preach</h4>
<p>Don’t get me wrong. When I say above that we should learn to live with spec I’m not advocating ignoring the problem. It is a real problem that poses real risks to designers and clients alike.</p>
<p>A lot of spec work, especially in its most insidious forms, happens only because of ignorance. Clients don’t realise they’re wrong to expect free work or don’t understand the real cost of that free work. Likewise designers are unaware of the risks they face.</p>
<p>The onus is on those of us who know better to give the right advice to those who don’t. When interacting with fellow designers, especially those younger and less experienced than we are, we have a responsibility to educate them about the implications of getting involved in spec work. It’s as simple as pointing them in the direction of <a href="http://www.no-spec.com/" title="NO!SPEC">NO!SPEC</a> or <a href="http://twitter.com/specwatch" title="SpecWatch on Twitter">SpecWatch</a>. If they persist regardless, good luck to them.</p>
<p>So too for potential clients. It’s in their interest (and ours) to ensure they understand the differences between spec work and hiring a professional designer. But if they still choose the wisdom of the crowd, they must live with what it serves up.</p>
<p>It’s important to present the facts without getting too excited. Clients don’t want to hear about third world teenagers whoring themselves with pirated software. That’s our problem, not theirs.</p>
<p>Spec is here. It’s taken its place, unwelcome and uninvited, in our industry, and there’s little we can do to get rid of it. If we can move past that and get on with our jobs we’ll be able to focus our energy on more productive pursuits and happier clients. To me, that trumps any rant or rebuttal.</p>
<h3>Postscript</h3>
<p>The upheaval that is the Internet has hastened the departure of outmoded ways of thinking as quickly as it’s paved the way for new ones. One site that’s joined the crowdsourcing fray with a welcome freshness is <a href="http://www.ideabounty.com/">Idea Bounty.</a> They appear to have <a href="http://www.ideabounty.com/terms-conditions" title="Terms and conditions for both clients and 'creatives'">done their homework</a> and tweaked the variables in the risk/reward equation enough to create a far happier, <a href="http://www.ideabounty.com/winners" title="Big brands are on board, with big prizes">more successful</a> environment for both clients and creatives. Their <a href="http://www.ideabounty.com/faq">differentiation between ideas and actual work</a> is important too, but I’ll leave that for another post.</p>
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